I'm really a military art school grass, don't laugh!

Chapter 93 Script Writing

In the conference room of the Hengdian Hotel, the silent atmosphere was not broken until late at night by a voice:

"Director Zhang! Director Zhang! The ratings are out!"

"Okay! Tell me now!!!"

"Well, this No.1: "Underground Transportation Station", the audience rating is 1.62%!

"Second: "Mu Guiying in Command", ratings 1.23%!

Third: "Flying Tiger Condor", ratings 1.18%! "

"No... No, you mean our drama is only ranked No.4, and we didn't even make it to the top three???" Director Zhang's excited expression froze for a while, and his open mouth looked extraordinarily funny.

"Without director Zhang, you are a little bit optimistic. No.4 is "National Beauty and Heavenly Fragrance", with an audience rating of 1.03%."

"No.5 ratings of "The Man of the Storm"..."

"Just tell me what is the filming number of our drama." The staff at the side looked at Director Zhang's face that was getting darker and darker, pulled the speaker and said in a low voice.

"This director usually doesn't want us to be strict... Oh, it's okay, our drama is ranked No.9, with an audience rating of 0.78%."

All the staff in the audience slowly lowered their heads, and they no longer dared to look at Zhang Daohei's coal-like complexion.

"No...it's not right!!! I have been preparing this drama for five years, and I have found such a good cast. Why is that? Many staff members have watched this drama before. , the response is very good!!!”

Listening to Director Zhang's unbelievable, almost crazy expression.

Those who had just watched two episodes of "Underground Traffic Station" shrugged helplessly and said, "I can only echo in a low voice."

"Ah... yes yes yes..."

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At this time, in the hotel in Thailand, Xu Zheng, who had finished watching two episodes of "Underground Traffic Station", looked at Huang Bo and Bao Qiang for a while and said, "Bao Qiang, Bo...why did I suddenly see you two become handsome again?" a lot…………"

"What you said, I'm obviously handsome, okay?" Huang Bo said proudly, flicking his bangs on his forehead.

After watching the series, Bao Qiang looked at Xu Zheng without confidence and said, "Then what should I do, Director Xu, I can't go for plastic surgery now, right? ⊙︿⊙"

"Forget it, he's a talent, God can't learn it by eating and drinking, and besides, he's always good, and he can't be ugly...

"It's okay, let's have our own characteristics, for example, Bo'er's earthiness and self-confidence, for example, your stupidity, we don't compare with others, we compare ourselves..."

"Hey, it's not Brother Zheng, why am I so self-confident? I used to be a singer!" Huang Bo said a little dissatisfied.

"All right, all right, I know... the film and television industry is hard to deal with now, and the comedy industry is getting involved..."

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And look at the protagonist at the center of the incident on the other side?After seeing the ratings, the reaction was relatively calm.

With the combination of comedy director Yingda, Yan Guanying and several old actors, plus the comedy burden that I have gradually refined through the changes of previous generations of comedy works, it is basically unreasonable if the show is not good.

If there is no bottom line, it is actually the "Age of Awakening" that he has been leading so far.

The three dramas I acted in before, after all, have the experience of the previous life as a reference, and the quality and reputation are excellent... Well, "The Temptation of Going Home" is also considered, after all, that drama focuses on thunder and abuse. From this point of view Depart on the road, and the word-of-mouth and quality at home are indeed very good.

On the other hand, "The Age of Awakening", in the previous life's evaluation, if you want to talk about the circle and popularity, this drama is relatively successful among them, and the score is also the highest among all the dramas.

But the shortcomings do not conceal the advantages. After the tasks assigned by the state are excluded in this drama, and the halo and feelings under the theme are separated, the real evaluation of the audience in the whole drama is actually not very ideal.

The audience can say that Chen Zhongfu, played by Yu Hewei, is good. He designed a lot of pyrotechnic little moves, which are very real and down-to-earth, and also make this character look very lively.

Let the audience see that the role of Chen Zhongfu itself is not so perfect: he has a discordant family, he is a feudal patriarch, he occasionally speaks rudely, he does not follow routines, he avoids talking about politics, he is arrogant and childish .

For example, in the classic episodes in the play, after eating melon seeds and sweeping the skins to the old rabbit, he hugged the child aside to sleep on his wife’s knee pillow, he let go of his daughter’s favorite pigeon, he rubbed off on his son’s meal without paying, etc. wait…………

But at the same time, the screenwriter also used the spring and autumn style to weaken many of Chen Zhongfu's actual problems, such as why his son Chen Yannian hates Chen Zhongfu so much, and why Chen Yannian called her stepmother his aunt.

In fact, viewers who have watched the episodes will know by just looking up the information, because his father married his fucking sister and she was lucky to have sex when she was pregnant and prolonging her life.

Since I was a child, my mother said that my biological father was not good, and your biological father did not fulfill the responsibility of raising you. If you change it, you will give me a good look. Therefore, Chen Yannian and Chen Zhongfu have always been in the relationship of comrades in the party in history.

Things that can be solved with a single sentence, but the screenwriter timidly rambles about, directly making the conflicting relationship between the father and son in the play awkward and outrageous.

As for Mr. Shouchang, the actor who plays the role is the monk... What Zhang Tong said is: He is playing the role of Mr. Shouchang in the eyes of the audience.

This sentence is divided into two parts. First, they really hit the majority of people who did not understand that era. They conformed to the aesthetics of young people who are used to seeing exquisite pictures and exquisite dresses. They used the established reality and God’s perspective to go back and help everyone More audiences can understand the plot faster and then analyze it.

Secondly, it also makes the whole drama, which tells the restoration of history, completely run counter to the original intention.

It's like the god fragment in the anti-war drama: Comrades, the 8-year war of resistance is about to begin. "

"The eight-year war of resistance has entered its last year."

Telling the whole story with such a perspective, it seems that in the life of the goddess in the fantasy dream, Diaosi should only eat and not shit, and 24 hours a day are all the most beautiful moments in full clothes, and the body is always fragrant.

What is shown in the play is that heroes and martyrs have become saints with only firmness and no hesitation.

Some characters behave like a time traveler, with their attitudes, the sense of protagonist, and the sense of ritual in their lines, as if they were born knowing that the road they walk will be successful. Maybe what they want to show is the firmness of the revolutionaries to the line. , but in the eyes of the audience, he is playing a saint.

You know, why is the history of that period called "The Age of Awakening" and why is it compared to groping in the dark? .

Who knows right or wrong in the dark?Everyone's thinking is changing, with negativity, positivity, and betrayal.

No one can tell them whether their sacrifices and sacrifices are paying off, or even whether they are right or wrong.

Even when they died, they didn't know whether Longguo really had a future, and whether they were on the right path.

It is precisely because of such a large uncertainty that the audience can realize how precious the spirit and will of these martyrs and heroes are for their own beliefs and never regretting to seek a ray of life for the people. and tragic.

(End of this chapter)